Donata Panizza(firstname.lastname@example.org) received her B.A. in Art History in 2003and her M.A. in Comparative Literature in 2006, both from the University of Florence. Her academic interests focus on the intersection among literature, visual arts (especially photography), and cinema from the 1960s to present time. An essay on literature and photography in Daniele Del Giudice’s Lo Stadio di Wimbledon and Antonio Tabucchi’s Notturno Indiano will be included in the collection Enlightening Encounters Between Photography and Italian Literature.